[PDF.74lj] Choreographing Difference: The Body and Identity in Contemporary Dance (Studies. Engineering Dynamics Series;9)
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Choreographing Difference: The Body and Identity in Contemporary Dance (Studies. Engineering Dynamics Series;9)
Ann Cooper Albright
[PDF.ji37] Choreographing Difference: The Body and Identity in Contemporary Dance (Studies. Engineering Dynamics Series;9)
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| #510176 in Books | Wesleyan | 1997-09-15 | Original language:English | PDF # 1 | 9.04 x.77 x6.04l,.85 | File type: PDF | 244 pages | ||0 of 0 people found the following review helpful.| Choreographing Difference|By Lee|I truly love this book that teaches one how to go about the art of choreography including those using wheelchairs! This book makes choreographers and dancers aware of how to train and prepare for routines that are built around dancers who are "different" in other ways, as well. It is an important addition to the curriculum of dance study and o||“Albright brings the insights of contemporary critical theory, particularly feminist theory, to bear on dance studies with great theoretical clarity, scholarly rigor, and writerly panache.” (Susan Manning)
“A clear, cogent, sophistic
The choreographies of Bill T. Jones, Cleveland Ballet Dancing Wheels, Zab Maboungou, David Dorfman, Marie Chouinard, Jawole Willa Jo Zollar, and others, have helped establish dance as a crucial discourse of the 90s. These dancers, Ann Cooper Albright argues, are asking the audience to see the body as a source of cultural identity — a physical presence that moves with and through its gendered, racial, and social meanings.
Through her articulate and nuanced an...
You can specify the type of files you want, for your gadget.Choreographing Difference: The Body and Identity in Contemporary Dance (Studies. Engineering Dynamics Series;9) | Ann Cooper Albright. A good, fresh read, highly recommended.